The work of Portishead co-founder the musician-producer, this sharp-edged if slight first film turns a sceptical eye on 90s rave culture. Venal drug user David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Woodsman denying his container of scrumpy, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it leads to a comically executed chaotic run on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in UK and Irish cinemas from November 17.
